To Vlemma — Tou Odyssea

: Navigating the fluid and often painful borders of the Balkan and Greek identity.

: It remains a profound exploration of how history and memory are captured—and often lost—through the lens of a camera. To vlemma tou Odyssea

As A. travels through Albania, Macedonia, Romania, and finally into a besieged Sarajevo, his search for the "first gaze" of cinema becomes a metaphor for: : Navigating the fluid and often painful borders

: The film won the Grand Prix at the Cannes Film Festival in 1995. and finally into a besieged Sarajevo