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[S2E3] Gabby's Game Boy

Welcome to the fantastic world of classical guitar. In this site, you will find classical guitar pieces, in midi format, for one and more guitars: actually 5641 MIDI files from 96 composers. Information on how to create midi files and a tutorial on the tablature notation system is presented. Images of ancient guitars provided.

Version française  

[S2E3] Gabby's Game Boy

New Sequences by François Faucher

Now working on: G.F. Carulli's Gran Sonata Op.25


New.gif (284 octets) G.F.Handel's Sonata 2. Allegro 3.Adagio HWV368New.gif (284 octets)


New.gif (284 octets) .J.S. Bach's  Sonata largo BWV1079 New.gif (284 octets)

New.gif (284 octets) F. Carulli's Two Russian Airs with variations Op.110New.gif (284 octets)

New.gif (284 octets) .W.A.Mozart's Symphony No.41 (Jupiter) KWV551

.New.gif (284 octets) J.S. Bach's .Sonata 2. Fugue  BWV964 New.gif (284 octets)

.New.gif (284 octets) W.A. Mozart's Theme and variations on: "La belle Françoise" K353 New.gif (284 octets)

New.gif (284 octets) W.A. Mozart's .Rondo K.511 New.gif (284 octets)


: Located exactly where the loose floorboard is in Gabby’s own bedroom. The Real-World Glitch

The line between the game and reality starts to blur when Gabby discovers that actions in the game affect her surroundings. When she collects a "Golden Key" in the digital park, she looks out her window to see a shimmering light under the real park’s oak tree.

The episode reaches its climax at the local library, which the game identifies as the "Final Castle." Inside, Gabby realizes the game wasn't just a toy; it was a digital diary left by her brother years ago, designed to lead his future sister to a hidden time capsule.

Gabby smiles, tucking the grey brick into her pocket. The game might be over, but the adventure is just beginning.

Accompanied by her best friend, Leo, Gabby uses the Game Boy as a map. They navigate the streets, with Gabby calling out "digital" obstacles—like a sudden swarm of pixelated bees—that manifest in the real world as a very real, very grumpy swarm of hornets they have to dodge. The Final Save


Composers are grouped in 6 pages: A-B; C-F; G-L; M-O; P-R; S-Z . J.-S. Bach ,  A. Barrios Mangore , N. Coste , M. Giuliani , F. Sor and F. Tarrega are on their own page

Click here to listen to 20 great MIDI from the site


Composers in alphabetical order

[s2e3] Gabby's - Game Boy

: Located exactly where the loose floorboard is in Gabby’s own bedroom. The Real-World Glitch

The line between the game and reality starts to blur when Gabby discovers that actions in the game affect her surroundings. When she collects a "Golden Key" in the digital park, she looks out her window to see a shimmering light under the real park’s oak tree. [S2E3] Gabby's Game Boy

The episode reaches its climax at the local library, which the game identifies as the "Final Castle." Inside, Gabby realizes the game wasn't just a toy; it was a digital diary left by her brother years ago, designed to lead his future sister to a hidden time capsule. : Located exactly where the loose floorboard is

Gabby smiles, tucking the grey brick into her pocket. The game might be over, but the adventure is just beginning. The episode reaches its climax at the local

Accompanied by her best friend, Leo, Gabby uses the Game Boy as a map. They navigate the streets, with Gabby calling out "digital" obstacles—like a sudden swarm of pixelated bees—that manifest in the real world as a very real, very grumpy swarm of hornets they have to dodge. The Final Save

 

 

FLAMENCO

Paco de Lucia  ; Sabicas 

 


Note to MIDI sequence contributors

Your submissions are welcomed.  Please send them by e-mail (end of text). Pieces should bear the composer's name and be properly identified.(ex.: J.K. Mertz (1806-1856) Nocturne Op.4 No.2.). The submissions should bear information on the transcriber or arranger when available. The submitter's name will appear beside the accepted submission.   

This site exists primarily to showcase pieces written for the classical guitar. Established and recognized transcriptions and arrangements (e.g., Tarrega, Segovia,..) of pieces written by non-guitar composers will also be given high priority.  

New compositions for the classical guitar are also welcomed.  New compositions that meet quality guidelines will be added to the site. For new contributors, it would be appreciated if you would also submit several pieces by known composers in addition to your own compositions.  This will help to expand the repertoire of established works for the classical guitar in addition to expanding the repertoire of new music. 

 

Last update: March 8 2026

Copyright François Faucher 1998-2025

INDEX OF COMPOSERS

COMPOSERS TIMELINE

VIDEOS

TABLATURE SYSTEM

TABLATURE SAMPLES

MIDI HISTORY

SUBMIT

LINKS

ANCIENT GUITARS