People often ask me why I take on the "unusual" trials at the field station. The truth is, the most challenging projects are the most rewarding. Lately, my focus has been on the invisible battleground beneath our feet: soil-borne diseases.
In my years exploring what I call "DANCERNESS," I’ve realized that dance is never just about the individual body. It’s a "continuous project altered daily"—a living, breathing organism that thrives on change. Whether I’m working with professional companies or community groups, the goal is always the same: to explore the manifestation of "GROUPNESS". rebecca hilton
How do we inhabit space together? How do our physicalities intersect to create a transnational public sphere? In a world that often feels fragmented, the act of moving in sync—or even in intentional friction—remains one of our most powerful tools for connection. Option 2: Rebecca Hilton – Principal Biologist People often ask me why I take on
A planning consultant specializing in "Vacant Building Credit" and brownfield redevelopment. In my years exploring what I call "DANCERNESS,"
Developing methods to test nitrogen-fixing technology and herbicide residuality isn’t just about data; it’s about the future of sustainable farming. Whether we are raising insect colonies for resistance testing or intentionally infecting plants in a glasshouse to find a cure, every trial brings us one step closer to a more resilient food system. Option 3: Rebecca Hilton – Legal & Professional Expert
An Australian artist and professor at Stockholm University of the Arts specializing in "Dancerness" and group dynamics.
A field scientist and biologist at Corteva who specializes in soil health and disease resistance.