: It addresses a "classic crisis" where the literary market prefers "hagiographies" (biographies of saints/idols) over supporting living, breathing experimentalists who still "stain their feet" on the street. O poeta pobre - O Partisano
: The performance often explores the "miserabilist" image of the poet—starving, bohemian, or invisible to society—who only becomes a "genius" once they are safely sepulchered and no longer "insufferable" to their contemporaries. POETA BOM Г‰ POETA MORTO (Performance).MP4
The performance title (A Good Poet is a Dead Poet) serves as a provocative informative feature that critiques the historical and critical tendency to only "canonize" or value artists after their passing. : It addresses a "classic crisis" where the