: Associated with early Soviet cinema, focusing on collective action and ideological messaging rather than individual psychology.
: Often prioritizes character interiority and ambiguity over a clear plot, using fragmented structures to reflect complex psychological states. Narration in the Fiction Film
: Where style becomes the dominant factor, often repeating stylistic patterns for their own sake rather than to advance the story (e.g., the works of Jean-Luc Godard). Functions of Explicit Narrators : Associated with early Soviet cinema
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