| XTC Discography | |
| Revision 5.83s (26 July 2025) |
This discography copyright © 1988-2025 by John Relph.
Contents:
- Summary
- A concise list of everything ever released.
- Recent Updates
- A short list of recent updates.
- Albums
- Regular XTC album releases.
- Singles and EPs
- Regular XTC singles and EPs.
- Collections, Retrospectives and More
- Collections of album and non-album tracks.
- Promotional Releases and Giveaways
- Radio station and record store stuff that collectors love.
- Interviews and Radio Shows
- For radio broadcast only.
- Unauthorized Releases
- Bootlegs, pirates, and counterfeits.
- The Dukes of Stratosphear
- The psychedelic alter-egos.
- Other Extracurricular and Solo Activity
- Solo works and releases in disguise with diamonds.
- Guest Appearances and Collaborations with Other Artists
- From cameos to co-writing.
- Compilations of Various Artists
- XTC: one-hit wonders.
- Rumoured and Future Releases
- I can neither confirm nor deny.
- The Fine Print
- Copyright and key to abbreviations.
This discography compiled, edited, and formatted by John Relph. Much information has come from the wonderful Wonderland XTC discography compiled by Shigemasa Fujimoto (Thanks!). Some information was also found in and/or verified by Brad Nelson's (Bremerton, Washington) XTC Discography.
I am indebted to the maintainers of these other discographies for additional information:
Dave Gregory (Mark Strijbos and Debie Edmonds)
The Big Dish (Simon Young)
Clark Datchler (John Berge)
Louis Philippe (Mr. Sunshine)
Dr. Demento (Jeff Morris)
Hüsker Dü (Paul Hilcoff)
Discogs (you and me)
Thanks go out to these additional contributors:
Sebastián Adúriz, Stephen Arthur, Klaus Bergmaier, Todd Bernhardt, Philippe Bihan, Fredrik Björklund, Allan Blackman, Patrick Bourcier, Barry Brooks, Jean-Christophe Brouchard, David Brown, Chris Browning, Stephen Bruun, Darryl W. Bullock, Justin Bur, Giancarlo Cairella, James Robert Campbell, Justin Campbell, Pedro Cardoso, Damon Z Cassell, Alberto M. Castagna, Jean-Philippe Cimetière, Chris Clark, William Alan Cohen, Britt Conley, Doug Coster, Al Crawford, Paul Culnane, Ian Dahlberg, Michael Dallin, Gary L Dare, David Datta, Adam Davies, Duane Day, Stefano De Astis, André de Koning, Simon Deane, Marcus Deininger, Tom Demi, Kevin Denley, Chris Dodge, Morgan Dodge, Chris Donnell, Charlie Dontsurf, François Drouin, Jon Drukman, Johan Ekdahl, Charles Eltham, Remco Engels, Stewart Evans, John C Falstaff, Mark Fisher, Peter Fitzpatrick, Martin Fopp, Dave Franson, Mitch Friedman, Martin Fuchs, A. J. Fuller, André Garneau, Greg Gillette, George Gimarc, Giovanni Giusti, David Glazener, Mark Glickman, Mike Godfrey, Marshall Gooch, Ben Gott, John Greaves, Robert Hawes, Jude Hayden, Scott Haefner, Reinhard zur Heiden, Phil Hetherington, Paul Hosken, Toby Howard, Bill Humphries, Johan Huysse, James Isaacs, Naoyuki Isogai, Joe Jarrett, Shane Johns, Owen Keenan, Tom Keekley, Howard Kramer, Augie Krater, Philip Kret, Jacqueline Kroft, Marcus Kuley, Mark LaForge, Kai Lassfolk, Matthew Last, Dom Lawson, Peter E. Lee, Steve Levenstein, Björn Levidow, Christer Liljegren, Thomas R Loden, Holger Löschner, Peter Luetjens, Joe Lynn, Delia M., J. D. Mack, Claudio Maggiora, Emmanuel Marin, Don Marks, Marc Matsumoto, Yoshi Matsumoto, Niels P. Mayer, Scott A. C. McIntyre, Gary Milliken, Derek Miner, Pål Kristian Molin, Martin Monkman, Bill Moxim, Rolf Muckel, Brad Nelson, Lazlo Nibble, Gary Nicholson, Pär Nilsson, Gez Norris, Todd Oberly, Jefferson Ogata, Marc Padovani, Barry Parris, Mike Paulsen, David A. Pearlman, Richard Pedretti-Allen, Joe Perez, Barbara Petersen, Dan Phipps, John J. Pinto, Joe Radespiel, Martin van Rappard, Robert R Reall, Melissa Reaves, Joachim Reinbold, Ola Rinta-Koski, Dougie Robb, Paul Pledge Rodgers, Michael Rose, Jon Rosenberger, Ira Rosenblatt, Shawn Rusaw, Mark Rushton, Egidio Sabbadini, Annie Sattler, Steve Schechter, Timothy M. Schreyer, Erich Sellheim, Steven L. Sheffield, Tetsuya Shimizu, Hisaaki Shintaku, Jim Siedliski, Chris Sine, Dean Skilton, Christopher Slye, Frédéric Solans, Ian C Stewart, Bill Stow, Ken Strayhorn Jr., Mark Strijbos, Jeffrey Thomas, Jon Thomas, Robert C Thurston, Patrick Trudel, Adam Tyner, T P Uschanov, Maurits Verhoeff, Tim "Zastai" Van Holder, Jonas Wårstad, Duncan Watson, Jeff White, Bill Wikstrom, Wes Wilson, Kim E. Williams, David Wood, Paulo X, David Yazbek, Brett Young, Takada Yuichi, Jim Zittel.
Note: This document is available as both a multi-part document (more appropriate for web surfing), and a single document (suitable for printing). A plain text version is also available. A concise XTC discography (more of an overview) is also available. Recent changes to this document are indicated by type, are listed in the Recent Updates section of the Summary, are available in unified diff format, and are also available as an RSS feed.
Mature romance excels in the "middle of the story." Writers of these narratives find tension in the mundane: the negotiation of domestic duties, the support during a health crisis, or the recalibration of identity as a couple ages. There is a profound romanticism in being truly known—including one’s flaws and routine—and being chosen anyway. This "radical acceptance" replaces the idealized perfection often found in younger tropes, offering a more grounded and ultimately more comforting reflection of love. Conflict and Communication
In mature storylines, the central conflict rarely stems from "will they or won't they?" Instead, it explores "how will they stay?" These narratives prioritize intimacy over intensity. While younger protagonists might burn bridges in the name of passion, mature characters are often tethered by history, careers, children, or past traumas. Their romance isn't a flight from reality, but a way to navigate it. The stakes are higher because they aren't just choosing a partner; they are integrating a person into a pre-existing, complex life. The Beauty of the Mundane mature sexy fucking
The evolution of "happily ever after" in modern storytelling has shifted from the frantic energy of first loves to the steady, complex resonance of mature relationships. While youth-centric romance often focuses on the "spark"—the initial conquest and the overcoming of external hurdles—mature romantic storylines find their depth in internal growth, compromise, and the quiet resilience required to sustain a partnership over time. The Shift from Intensity to Intimacy Mature romance excels in the "middle of the story
A hallmark of mature relationships in fiction is the shift in how conflict is handled. Misunderstandings—a staple of the romance genre—feel frustrating when applied to adults with decades of life experience. In mature storylines, conflict usually arises from fundamental differences in values or the baggage of past "ghosts." Resolution comes through communication and the realization that being right is often less important than being connected. Conclusion Conflict and Communication In mature storylines, the central
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Revision 5.83s (26 July 2025)