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: Photographed by Gianni di Venanzo (who worked on Fellini’s 8½ ), the film uses modernist monochrome to make Venice look both ornate and desolate.
Eva is a high-class call girl who is entirely indifferent to Tyvian’s ego, fame, or affection. She is motivated solely by money and a desire to humiliate the men who try to possess her. Tyvian becomes obsessively ensnared in her games, leading to a brutal downward spiral of masochism and moral degradation. Eva(1962)
: The film is famous for its troubled production. Losey originally turned in a 155-minute cut that he considered his most personal work. However, producers hacked it down significantly, leading Losey to disown the theatrical version. : Photographed by Gianni di Venanzo (who worked
Directed by , Eva (1962) is a fascinating, stylish entry in the European art-house canon that serves as a bridge between classic film noir and the modernist "cool" of the 1960s. The Plot: A Moth to the Flame Tyvian becomes obsessively ensnared in her games, leading