Whether you are a completist of Bach's sacred works or a newcomer to his cantatas, this recording is a "must-listen." It captures the jubilant energy and the somber reflection of these masterpieces with equal mastery.
The recording (presented here in Part 1 of the archive) captures the natural acoustics of the performance space beautifully. There is a palpable sense of "air" around the instruments, and the balance between the vocal soloist and the organ is expertly maintained—a difficult feat given the organ's potential to overpower. Final Verdict Bach_Cantatas_35_169.part1.rar
: The alto soloist (traditionally a countertenor or mezzo-soprano) delivers a performance marked by technical precision and expressive warmth. In BWV 35, the demanding coloratura is handled with ease, while the introspective "Gott soll allein mein Herze haben" in BWV 169 is sung with a deeply moving, prayer-like focus. Whether you are a completist of Bach's sacred
: One of the most distinctive features of these cantatas is the prominent role of the organ as a solo instrument. The organist balances virtuosity with sensitivity, particularly in the sprawling sinfonias that open both works. The dialogue between the organ and the strings is crisp, vibrant, and perfectly paced. Final Verdict : The alto soloist (traditionally a
